sexta-feira, 4 de dezembro de 2009

RAUL SEIXAS - A PANELA DO DIABO - PARTICIPAÇÃO ESPECIAL DE MARCELO NOVA DO CAMISA DE VENUS


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RAUL SEIXAS - A PANELA DO DIABO



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RAUL SEIXAS - SOCIEDADE DA GRÃ ORDEM KAVERNISTA APRESENTA SESSÃO DAS 10


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Entre a anarquia tropicalista dos Mutantes e a mistura feita pelos Novos Baianos no disco Acabou Chorare, um quarteto virou a MPB de pernas pro ar. Foi a Sociedade da Grã-Ordem Kavernista, formada por Raul Seixas, Miriam Batucada, Sérgio Sampaio e Edy Star. O único disco da turma, Sessão das 10, trouxe um deboche típico do mais endiabrado mutante.
O ano era 1971. Raulzito ainda não tinha pousado na sopa da música brasileira e defendia um troco produzindo artistas como o lendário Jerry Adriani e Vanderléia. Sérgio Sampaio ainda não tinha botado seu bloco na rua. Miriam Batucada fazia pouco barulho. Edy Star, que assinava apenas Edy, se juntou ao trio de pé-rapados e malditos para fundar a Sociedade, ainda sob os ecos tropicalistas, que completam 38 anos agora em 2009.
O LP, corrosivo, saiu pela CBS (atual Sony/BMG), mas encalhou nas prateleiras. Foi gravado, produzido e lançado
por Raulzito enquanto o presidente da CBS estava viajando, e é claro que além do disco ter sido recolhido, Raulzito foi demitido de seu emprego de produtor musical. Difícil imaginar esse trabalho consumido em larga escala. A começar pela vinheta circense que abre o disco, anunciando que tudo ali não passa de uma saudável palhaçada. E o que dizer da vinheta final, em que se ouve com nitidez o som de uma descarga levando tudo esgoto adentro?
Sessão das 10 estava longe de ser uma bosta. Entre o circo e a merda, há vida inteligente nas onze músicas do grupo. "Êta Vida" é um pop descarada e deliciosamente comercial, no pior sentido do termo. A faixa-título, em clima seresteiro, sacaneia com todos os boêmios que levavam as serenatas a sério. Era deboche puro - a diferença é que com material próprio, enquanto os Mutantes, um ano antes, jogavam pedra no até então intocável "Chão de Estrelas".
O samba "Eu Vou Botar Pra Ferver" denuncia a alegria burocratizada que reinava (e ainda reina) nos salões carnavalescos. O quarteto queria era rir, como deixa claro em outro sambinha, "Eu Acho Graça". A vinheta que precede a faixa cutuca a mania in de ser hippie que alucinava, com um certo atraso, parte da juventude brasileira. "Chorinho Inconsequente" já diz tudo desde o título, na voz linda, leve e solta de Miriam Batucada, que acabaria encontrada morta em São Paulo, no começo dos anos noventa, sem nunca ter alcançado o sucesso que tanto perseguiu.
Sessão das 10 tem um repertório eclético. Em "Quero Ir", a turma pinta seu pop com umas tintas rurais sem desbotar a música. "Soul Tabarôa", assinada pela dupla Antônio Carlos e Jocafi, mistura coco e embolada, enquanto "Aos Trancos e Barrancos" traz a típica batucada dos morros cariocas.
A anarquia sonora era pretexto para o quarteto denunciar a doença de uma sociedade que perdera a alegria e a descontração - artigos que sobravam na Ordem Kavernista. Os tempos eram negros, Médici transformava o Brasil num imenso porão, mas havia luz no túnel escavado pela turma liderada por Raulzito.

RAUL SEIXAS - RAUL ROCK SEIXAS



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RAUL SEIXAS - ABRE TE SÉSAMO




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RAUL SEIXAS - POR QUEM OS SINOS DOBRAM




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RAUL SEIXAS - MATA VIRGEM



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RAUL SEIXAS - O DIA EM QUE A TERRA PAROU



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RAUL SEIXAS - HÁ 10 MIL ANOS ATRÁS




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RAUL SEIXAS - GITA



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RAUL SEIXAS - O REBU




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RAUL SEIXAS - KRIG-HA BANDOLO




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quinta-feira, 3 de dezembro de 2009

DAVID BYRON - TAKE NO PRISIONERS 1975 URIAH HEEP SINGER ON SOLO WORK










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URIAH HEEP - LIVE 1973


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URIAH HEEP - VARIOUS LINE UPS - VARIAS FORMAÇÕES






1969–1970
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
Paul Newton – bass guitar
Alex Napier – drums
1970
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
Paul Newton – bass guitar
Nigel Olsson – drums
1970
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
Paul Newton – bass guitar
Keith Baker – drums
1970–1971
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
Paul Newton – bass guitar
Iain Clarke – drums
1971–1972
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
Mark Clarke – bass guitar
Lee Kerslake – drums
1972–1975
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
Gary Thain – bass guitar
Lee Kerslake – drums
1975–1976
David Byron – vocals
Mick Box – guitar
Ken Hensley – keyboards
John Wetton – bass guitar
Lee Kerslake – drums
1976–1979
John Lawton – vocals
Mick Box – guitar
Ken Hensley – keyboards
Trevor Bolder – bass guitar
Lee Kerslake – drums
1979–1980
John Sloman – vocals
Mick Box – guitar
Ken Hensley – keyboards
Trevor Bolder – bass guitar
Chris Slade – drums
1980–1981
John Sloman – vocals
Mick Box – guitar
Greg Dechert – keyboards
Trevor Bolder – bass guitar
Chris Slade – drums
1981–1983
Peter Goalby – vocals
Mick Box – guitar
John Sinclair – keyboards
Bob Daisley – bass guitar
Lee Kerslake – drums
1983–1985
Peter Goalby – vocals
Mick Box – guitar
John Sinclair – keyboards
Trevor Bolder – bass guitar
Lee Kerslake – drums
1986
Steff Fontaine – vocals
Mick Box – guitar
Phil Lanzon – keyboards
Trevor Bolder – bass guitar
Lee Kerslake – drums
1986–2007
Bernie Shaw – vocals
Mick Box – guitar
Phil Lanzon – keyboards
Trevor Bolder – bass guitar
Lee Kerslake – drums
2007–Present
Bernie Shaw – vocals
Mick Box – guitar
Phil Lanzon – keyboards
Trevor Bolder – bass guitar
Russell Gilbrook – drums

URIAH HEEP - THE LANSDOWNE TAPES









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TOE FAT - TOE FAT 2



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TOE FAT - TOE FAT I




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Toe Fat was an English rock music band active from June 1969 to 1971, notable for including two future members of Uriah Heep.

Formed in June 1969, the band was fronted by former Rebel Rouser Cliff Bennett and in the course of its two-year, two-LP career, featured lead guitarist,keyboards Ken Hensley, bassist John Glascock (erroneously billed as John Konas on LP sleeve, some confusion with Gods guitarist Joe Konas) drummer Lee Kerslake, and replacements (after the first LP), Brian Glascock (drums), Alan Kendall (guitar).

The band was founded by Bennett, a former pop star, after the dissolution of the Cliff Bennett Band. He teamed with former Gods keyboard player Hensley, who drafted in fellow ex-Gods members Kerslake and Glascock. The name was decided over dinner when Bennett and his manager attempted to create the most disgusting band name possible.

Toe Fat was quickly signed by Motown's progressive rock label, Rare Earth in the US. In Britain, the band signed with EMI, who released their first album on the Parlophone label and the second on Regal Zonophone.

The eponymously titled first album flopped commercially, but gained considerable critical praise. Such was their stir that after their first single "Workin' Nights" (the B-side was an earlyElton John composition "Bad Side of the Moon") they were booked for a tour supporting Derek and the Dominos in the US. The album was also notable for its cover designed by the recently formed graphic art company Hipgnosis, who went on to do most of the covers for Pink Floyd. The cover shows a beach scene with four people who have large toes superimposed over their heads. For the U.S. release, a man and a topless woman in the background were replaced by the image of a sheep.

Hensley quit the band to form the successful Uriah Heep (Bennett himself admitted in the sleeve notes of his re-released Rebellion album that he "probably should have joined them" when asked). Kerslake left to join the National Head Band before also joining Uriah Heep in 1971. Bassist Konas was replaced in the down time between records, with John Glascock (also formerly of The Gods and who later joined Jethro Tull) replacing him. Another ex-Gods man, Brian Glascock, became the new drummer. Alan Kendall replaced Hensley, adding more heavy licks to the new record, simply titled Toe Fat Two.

Jonathan Peel (not the D.J.) produced Toe Fat 2 after hearing them on several BBC radio sessions, including one for Terry Wogan! However, the new LP also flopped, despite more radio play, and a reasonably successful US tour promoting it. Following these successive failures, their management and labels informed the group that they could no longer fund them. Toe Fat dissolved while showing great promise, with Bennett later insisting things were starting to happen for the group.

Bennett recorded an ill-fated solo album, Rebellion, before quitting music to become a shipping magnate. Bennett still occasionally tours with the Rebel Rousers.

Alan Kendall and Brian Glascock went on to play with and write for the Bee Gees.

KEN HENSLEY - THE LAST DANCE





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KEN HENSLEY - EAGER TO PLEASE








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URIAH HEEP - ABOMINOG



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THAT'S THE WAY THAT IT IS

I've been thinking about
What you said last night
And for all your fine words
You still don't have it right

'Cause that's the way that it is
And you won't ever change
You can scream at me
But the powers that be
Won't ever hear your voice
'Cause they're lost
In their own importance
No, they'll never hear your voice

'Cause that's the way that it is
And you won't ever change it

I've heard all your stories
Of how the few can be strong
And how you'll fight to the end
Just to prove me wrong

'Cause that's the way that you are
And you won't ever change it
But don't come cryin' to me
If your fanciful schemes
Don't turn out like you planned
'Cause you're chasin'
After something
That keeps slippin'
Through your hand

That's the way that it is
And you won't change it


URIAH HEEP - FALLEN ANGEL



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URIAH HEEP - FIREFLY





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quarta-feira, 2 de dezembro de 2009

URIAH HEEP - INNOCENT VICTIM



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URIAH HEEP - HIGH AND MIGHTY



URIAH HEEP - RETURN TO FANTASY





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URIAH HEEP - WONDERWORLD



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URIAH HEEP - SWEET FREEDOM





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URIAH HEEP - DEMONS AND WIZARDS



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URIAH HEEP - THE MAGICIAN'S BIRTHDAY







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URIAH HEEP - SALISBURY



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URIAH HEEP - LOOK AT YOURSELF





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URIAH HEEP - ...VERY 'EAVY ... VERY 'UMBLE











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terça-feira, 1 de dezembro de 2009

LITTLE WALTER - BOSS BLUES HARMONICA



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CAPTAIN BEEFHEART - CLEAR SPOT





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